My work is an investigation on the possibilities of digital imagery in an increasingly technical and automated world. Coming from post pictures theory, my practice focuses on the nature of artifice and immateriality within the digital & virtual image. I consider the virtual in relationship to the phrase “technical image” coined by philosopher Vilem Flusser in which photography and mechanical reproduction heralded new forms of perceptual experience & knowledge. We are living in an age of the ‘elite technical image’ where increasingly complex technical apparatuses are being utilized for the acquisition and dissemination of knowledge & experience. The products of these technical apparatuses often find their way into my work expressively, culling from sources within science, science fiction, mathematics, physics, and modernity.

There is an additional phenomenological layer to my time-based works. The work utilizes the loop, slow pacing, and the relatively still to great effect. The temporal disjunction from the natural and the endless repetition allude to an abstraction of time and perception. I view these works as ‘moving pictures’ rather than animations per se. The works connection to light is derived with algorithms within the computer. Thus, the images indexical connection to light is purely artificial. My work is thereby ‘generatively indexical’, utilizing the tools and devices found in physics simulation in order to arrive at a new formal possibility. Often times the work alludes to notions of the sublime or surreal within the context of the virtual.